Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
在社会(➕)主(🍓)义道路(lù )上(😚)，中国(guó )公路(🐸)的(💾)发展和人民(🏀)命运(yùn )紧(🔲)密(mì )相(xiàng )连的(🐲)。《大路朝天》以四(🤗)(sì )川(chuān )公路(🌨)建(💔)设为切口，以(yǐ )成雅(yǎ(🥐) )高(gāo )速、雅西(🐨)高速、雅康(🆙)(kā(🐮)ng )高速(sù )建(jià(🧖)n )设为题材，通过讲述(shù )祖(📓)孙三(sān )代路桥(🔒)工人伴随改(🎞)革(🐪)(gé )开放40年(niá(🥊)n )经历的命(😿)运和情感故(gù(🌤) )事，折(shé )射出(🐈)时(🌰)代发展与变(🌫)迁。
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.
Art dealer Trevor and his best friend Dante, an Italian/American fashion photographer, holiday in Capri where they both fall for Antonia, a local beauty. One of them marries her. Back in London Antonia is last seen in Regent's Park walking her Jack Russell terrier. The remains of a female body are recovered from Regent's Canal, and both her husband and his best friend are suspects in what increasingly appears to be a murder. This fast-moving story travels backwards in time. Exploration of the mystery of Antonia's fate follows twists and turns as hair-raising as the roads on the mountainous isle of Capri. The audience is ushered to the astonishing ending, proving along the way that the deepest mystery of all is that of the soul torn between desire and loyalty.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
“假如(rú )音乐是爱情(📿)的(🐡)食粮(liáng )，请(qǐ(💜)ng )继续(xù )演奏(🎈)吧(🦉)！”以配乐(lè )著(🔐)称(chēng )并为(🗡)(wéi )莎士比亚爱(🔅)情喜剧《爱(ài )的(🥊)徒(tú )劳(láo )》及(🌩)《爱的胜利》（即《无(wú )事生(🏦)非》）注入无限(🛥)(xiàn )活力(lì )的(😌)(de )超(🛌)人气导演克(🕴)里斯托(tuō )弗•拉(lā )斯康(🛒)贝（Christopher Luscombe）携创作(📉)团(tuán )队重返(🔷)(fǎ(🖖)n )埃文河畔斯特拉福德(🐠)(dé )的皇家(jiā )莎(🅿)士比亚剧团(🐳)，执(♒)导(dǎo )莎翁另(⬆)(lìng )一部滑稽又心酸的单(🐑)相(🕶)思爱(ài )情故(💼)(gù )事：
本片(🎭)撷(🐥)取了发(fā )生(🍻)在(zài )中国(🙁)(guó )北方小城镇(🤼)中一个(gè )中国(🚱)(guó )青年(nián )出(🛃)狱后的一段人生经历(lì(🔇) )，讲(jiǎng )述(shù )了一(🤮)个小人物在(🌵)商(⛹)品(pǐn )经济(jì(🧜) )的(de )大潮中与时代的隔离(🤾)(lí )，以(yǐ )及(jí )人(🎧)们对金钱的(🍸)崇(💐)尚和(hé )理想(xiǎng )、道德(🤠)的流失，对社会(🍑)(huì )与人性(xì(🚜)ng )作(💭)出了深度拷(🅿)问。尤(yóu )其是本(běn )片以中(🎸)国(♐)农历冬季的(💇)(de )四个节(jiē )气(🦖)作(✏)为篇章，具有(🎺)强烈的中(🖊)(zhōng )国文(wén )化符(🏎)号视觉。
藤冈(gā(🥞)ng )靛在(zài )片中(🎋)(zhōng )饰演引发奇迹的正体(🚚)不(bú )明的(de )主人(✡)公拉乌，尽管(👜)他(📓)的(de )国籍(jí )与(♌)(yǔ )语言不明，但是温暖(nuǎ(🏥)n )的笑(xiào )容(róng )却(⏳)有种不可思(🥤)议(🍛)的力(lì )量，影(yǐng )片通过(👪)超越国籍与宗(😥)(zōng )教的年(niá(🎍)n )轻(🏚)人们的友情(📙)，自然(rán )地反应(yīng )人们的(🏫)生(🧕)活。影片全(quá(🔺)n )篇外景(jǐng )在(👟)印(😏)度尼西亚苏(👉)门答腊岛(🕒)拍(pāi )摄，用时一(🎫)个月。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
德蒙特·(🧘)莫罗(luó )尼、(🥎)理查德·哈蒙(méng )加盟(mé(📐)ng )惊(📒)悚(sǒng )片[千次(🐯)伤我心]。该片(👣)根(✏)(gēn )据丹(dān )尼(🔱)尔·沃特斯的同名小(xiǎ(📬)o )说改(gǎi )编(biān )。斯(🥠)科特·斯皮(🕐)尔(🏁)([舞(wǔ )出我(wǒ )人(rén )生4])执(🗳)导，贾森·福克(🐞)(kè )斯编(biān )剧(🛹)(jù(🏀) )，贝拉·索恩(🥟)主演。该片设(shè )定于洪水(🍕)劫(🔷)难之后，鬼怪(🚡)族(zú )群“残渣(🛰)”出(🏌)现。多(duō )年后(⬆)，这些族群(👾)恐吓年轻女子(🈵)(索恩(ēn )饰)，而她(🦀)必须冒险找(🖍)到生存(cún )之路(lù )。
