《健(🧕)忘(🏓)村》的(🛠)故(🈲)事(shì(🍝) )发生在(📷)(zài )一片世外桃源般的村落(luò )里，传(chuán )说此地(✌)风水有(🍔)帝王之(🌗)相(♏)(xiàng )，石(🗑)员(yuán )外(🦋)（曾志伟 饰）觊觎村(cūn )中(zhōng )龙脉(mò )，企图与土匪联(🐣)合屠村(🎈)(cū(🚪)n )。有一(⏯)(yī )天，一(🕦)声惨叫(🕎)打破了裕(yù )旺村的(de )宁静，村民朱大饼意外中(🤬)毒身(shē(📹)n )亡(🏰)(wáng )，大(♓)(dà )饼的(🚋)妻子秋(🐥)蓉（舒淇 饰(shì )）成为(wéi )了最大嫌疑人，这时(🏝)“天(tiān )虹(🦊)真(🖊)(zhēn )人(🦍)”田(⏸)贵（(🤨)王千源(🦁) 饰）手持神(shén )秘宝器(qì )“忘忧”路过村子。据(jù(🦐) )说“忘(wà(👫)ng )忧”可以(🚝)洗(✍)去人(🔪)的记忆(🚐)(yì )，控制(zhì )人格。从此裕旺村变成(chéng )了(le )健忘(wàng )村。荒诞(🕶)爆笑，阴(🧒)谋(🚩)不(bú(🕣) )断，其(qí(👢) )乐融融(🛴)的世外桃源背后(hòu )隐藏着(zhe )一场血(xuè )雨腥风(🏪)。
When a near-decade old murder case involving a movie star threatens to reopen, adult child Duke Moody decides to make a true crime documentary, financed by his mother.
某外国(🗡)城(🖕)市，来(🧘)(lái )自韩(🚭)(hán )国的(🍃)女演员英熙，正因(yīn )为(wéi )和国(guó )内一个已婚(🧐)男子的(🥪)恋(🚬)情(qí(🤸)ng )而(🏵)(ér )备(🚄)受(shòu )压(🎤)力，她放弃了一切，甘受千(qiān )夫所指以此表明(🥙)心迹。他(🌃)说会(huì(👘) )去(🦆)找他(🆓)(tā )，但她(🆔)并不相信。在熟(shú )识(shí )的朋(péng )友家吃过饭，她去了海(🚒)(hǎi )边(biā(😤)n )。她(♑)(tā )认(🚅)为朋友(🈳)不会理(🥧)解这段(duàn )感(gǎn )情，但还是问道：“他会像(xiàng )我(🦍)思念(nià(🉑)n )他(🥉)一样(🔍)(yà(🐓)ng )思念(🌹)我吗”
本(🖕)片导演童(tóng )抒(shū )伟称(chēng )，《追击者》将是福建(jià(🔧)n )省(shěng )第(🌗)一(yī )部(🍘)真(🎈)正意(👷)义上还(🈳)原电影(yǐng )本(běn )质、追求电影艺术的动作犯(fàn )罪电(🔫)影(yǐng )，同(👛)时(🕌)他也(😵)致力于(🦀)拍摄出自己(jǐ )风格的(de )电影，更希望能够打开(kāi )漳(zhā(🔥)ng )州，甚至(🔔)是(🥅)福建(🗨)的电影(🍄)市场(chǎ(✖)ng )，希望(wàng )能将商业与艺术想结合(hé )。
While on a road trip to a wedding, a young couple is forced to camp out for the night - and become prey to the wilderness, and something even more sinister.
泰国(guó )边(🚕)境，1997年。
A group of teenagers go for a partying weekend in the woods. Unknown to them the woods they have chosen is home to a legend. The legend of a young girl who was bullied and then committed suicide. Are the woods haunted by a peaceful spirit or a spirit hell bent on destruction? Or is everything not quite what it seems? Watch as our teenagers fight with all their might to survive until morning.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
