爷(🏧)爷(yé )年逾古(🗿)稀，身患重(🐶)病(bì(✒)ng )，他要在(zài )自己去世(shì )前，为(🥕)自(zì )己抚(fǔ )养(🛍)了八年又非(🔖)亲非(🦉)故的(💙)孙子(🆓)小(xiǎo )杉寻找到(dào )亲生(🌤)母亲(🥢)(qīn )。依(yī )靠仅有的一点线索(🤹)他们(🚚)踏上(🥥)了(le )寻(📚)亲之旅(lǚ )，一(⏲)路上(shàng )遇(😢)到(dà(👃)o )了形(xíng )形色(sè )色的人，经历(🚬)了很多(duō )事。虽(🥣)然(rán )最终寻(♿)亲(qīn )的目(📗)的未(👚)(wèi )能达(dá )成，却让二人更加(🙎)认识到彼此(cǐ(🐿) )在生命中(zhō(🧕)ng )存在的意(🙇)(yì )义(✊)。
迪兰·明(míng )奈特(《十三个原(🥘)因》《越狱》)主演惊(👪)悚(sǒng )新片《敞(⌛)(chǎng )开(🈶)的(de )房(📃)子》(The Open House)由(🛒)Netflix购得全球发行权，将(jiā(📺)ng )于明(🐳)年1月(yuè )19日上线。Suzanne Coote献出(chū )导演(👷)首秀，Matt Angel编写(🐔)剧本(😚)，讲述一(yī )个(🐚)青少年(niá(🌩)n )和母(🍞)亲(Piercey Dalton饰(shì ))搬进(jìn )新家(jiā )，却(què(🕤) )发现被一股邪(✏)恶的力(lì )量(😉)所围绕(rà(🔟)o )。
原本(💻)对(duì )生活怀有(yǒu )希望(wàng )的(🧠)吴子晗，在遭遇(⚾)命运不公彻(🏂)(chè )底发生(📃)转(zhuǎ(💼)n )变，他的(de )身影(yǐng )渐渐消失(shī(💔) )在那栋阴森恐(💀)怖的房(fáng )子(🈵)里，黑(⛑)(hēi )暗(📓)深处(🛋)他(tā )始终被恶(è )魔缠(⛰)(chán )身(😇)，周而复始要寻找一个可以(🔻)(yǐ )附身的(🔋)躯(qū(🔻) )体，摆脱(tuō )恶(💳)魔(mó )，但远(🚾)远(yuǎ(🦉)n )没有那么简单……
父(fù )亲(🏜)溺爱儿(ér )子赛(🤦)米，望子成龙(🕤)(lóng )。儿(ér )子(🙆)面对(🍸)升学压力，父(fù )亲十分忧(yō(🚰)u )心却也只(zhī )能(🍘)想尽办(bàn )法(🙂)帮(bāng )助，直(🍊)到有(😶)天儿子无声告别，留下(🛷)了要(🤛)(yào )“只身前(qián )往(😲)叙(xù )利亚”参(👸)(cān )与(✳)圣战(🚀)组织(💔)的信息，父亲踏上(shàng )寻(🕒)找儿(🛌)子(zǐ )的路，才(cái )发现(xiàn )父子(📃)之间早已(😷)存在(📓)着难以调和(🌎)(hé )的矛盾(👅)。启发(🤚)自真(zhēn )人真(zhēn )事，突尼(ní )斯(➕)导演阿提亚由(⛹)一段(duàn )寻子(🤛)经历(lì )，反(🤭)映“阿(🛥)拉伯之(zhī )春”后，国家如何受(🚒)到伊斯兰恐怖(♏)(bù )主义和经(🕞)(jīng )济停滞(📮)所(suǒ(🐯) )影响(xiǎng )，国家悲剧与家(🤛)庭悲(🚙)剧并存。青年们(🕒)被(bèi )视为非(🤞)理(lǐ(🖨) )性的(🥖)(de )行动(😧)背后(hòu )，当中的复杂情(🥚)感究(⛓)(jiū )竟如何描(miáo )绘？比利(lì(🤓) )时电影大(⭐)(dà )师(⏱)达(dá )内兄弟(👟)协力监制(📗)，冷静(🔵)有力，最终超越(yuè )悲剧的伦(💥)(lún )理剧(jù )。
A serial killer strikes Sugar Grove, Virginia. A rising journalist comes to town to cover the story : her investigation will soon lead her to the town's darkest secret, at her own risks.
Under Mann’s new venture, Michael Mann Books, the prequel will begin as a novel, and possibly be adapted into a film or television series. Just two days after that announcement, another project from Michael Mann Books is in the works: author Don Winslow (Savages) is writing a novel about Chicago crime boss Tony Accardo and his successor Sam Giancana, which Mann might adapt into a feature film.
